Friday, January 28, 2022

Early Feminist in China - Tang Xiaojia

Preface

This is a story about my great-grandmother.  In 1906, a highly educated, brave young woman tried to save Chinese girls from the feudal system by giving them a good education and became the first female principal of her time.

It was a time when women’s virtue was tied to their illiteracy. Foot-binding (also known as "Lotus feet") and whitewashed facial makeup were routine practice for girls. (The custom of foot-binding was in vogue during the Ming dynasty and the Qing dynasty, which caused great pain to women both physically and mentally. It was not until 1950 that this bad habit was finally able to enforce a strict prohibition.) Until then, there was no free educational system for girls, but something was going to change.     Lily Lihting Li Kostrzewa

Tang Xiaojia  - Ruian's first woman school principal during last days in the Qing Dynasty
From www.66ruian.com 12/24/2012 Source: Ruian Daily (Chinese Editor: Shie Yao)

Rewrite to English by Lily Lihting Li Kostrzewa

  At the end of the Qing dynasty (1906), Huang Saugi (One of the famous Five Huang scholars in the Qing dynasty) is credited with coming up with the idea to reform Ruian education by promoting a girls' school to be founded in his hometown. The local gentry responded positively to this and supported this idea. Soon, the first girl's school in southern Zhejiang - Ruian was founded in the original Ruian - Chengguan small harbor area. The De Shan Girls Academy was born.

  The notion of "A woman's virtue is rooted in illiteracy," which imprisoned women in feudal ethics, was deeply rooted in folk consensus at this time but needed desperately to change. Also, at this time, the chosen principal of the girls’ school was a loving, gentle, and highly knowledgeable lady - Tang Xiaojia.

  Tang was born in 1875 in Ruian. In the early years, she attended a private school sponsored by Huang Saugi, and she graduated from Capital University (now Beijing University). She spoke standard Mandarin and fluent English, which was most unusual for a woman, and unique to Wenzhou intellectuals.

  When Tang Xiaojia took office, she combined Western notions of education with Chinese culture. She mobilized the educated families with girls to attend the school. At that time, the famous scholar Sun Yiron sent his daughters to De Shan Girls Academy to support the girls reading. Under his leadership, many parents responded by sending their own girls to De Shan.

  Initially, the school was only a tiny classroom, with students numbering less than 10 and ages from seven to twelve. This school provided free education for students, with subjects being conventional Chinese, arithmetic, history, music, gymnastics, other courses, and later sewing, tailoring, embroidery, and other Industrial courses.

  According to the "Zhang’s Diary" from this time titled "go to the De Shan Girls Academy," one section reads: "Yesterday afternoon with my brother I went to De Shan Girls Academy to visit the female school students. Tuition is free, and the school takes no money from students. The oldest students were twelve-year-old, with younger ones at eight-year-old. They wore hanging braid hairs with party shoes. Neither foot-binding nor whitewashed facial makeup was present, and Chinese textbooks were used. I viewed that all the women were refined, and books were carefully explained. I am genuinely enthusiastic about this education. This is a starting point of girls’ learning development, and we should continually push it. "

  Ms. Tang taught according to the girl's psychological, physiological characteristics, divided by age and grade segment, to personalize her teaching and counseling, significantly improving teaching quality and student learning initiative. And her effort was gradually recognized by both parents and the community. The number of students increased every year. By 1927, De Shan Girls Academy's girls’ school enrollment was up to 100 students and divided into three-level segments into seven classes. Faculty and staff were nearly 20.

  According to the "Ruian records,” in 1928, De Shan Girls Academy became the Ruian County Central Primary School. Since the school opened from 1906 to 1928, De Shan Girls Academy, now open for 23 years, has graduated over a thousand girls. 

Postscript 

Ms. Tang had a troubled life with various twists and turns. Her husband Huang Zenmei (a Northern Army officer) was killed in a famous ferry accident on the Puji Wheel boat on the way to his father’s funeral (in January 1918, a Shanghai merchants ferry – the Puji Wheel, set sail from Shanghai bounded for Wenzhou and unfortunately sank in Wusong harbor and more than 260 victims died), Ms. Tang raised two sons and a daughter. However, the eldest son was murdered for some untold conspiracy. While a student at Tongji University, the second son suffered a mental breakdown and remained unstable the rest of his life; Ms. Tang’s daughter Hung Jiao was my grandmother who died in childbirth. 

  Despite the unbearable pain her family situation brought, Ms. Tang bravely continued to invest in the love of her life, women’s education. In March 1960, Tang Xiaojia purchased food from a market and was knocked down by a truck near her front door one morning. She died a month later, at the age of 84 years.


Monday, November 22, 2021

Robinhood Action at Sotheby's


19 November 2021
​The November 2021 Sotheby's Contemporary auction is the most important auction of the past two years. The lots are rare works by famous contemporary artists such as Roy Lichtenstein, Yoshitomo Nara, and Alexander Calder. For the four-day Evening and Day Auctions Sotheby’s has made excellent auction results, including the high-priced Mark Rothko’s 89.3 million on the first day, and the next night Mexican female artist Frida Kahlo’s ‘Diego and I’ sells for $34.9 million. 

On November 18th, the auction came to a close with two evening sales. Above all the highlights, the most distinctive story was focusing on the U.S. Constitution auction and the story will become the most meaningful tale in auction history.



Before the auction, I saw a man holding a sign in front of the Sotheby’s building with the words "We the people will buy the constitution." Even though he tried several times to greet people by holding up the sign most people just walked by him.

I decided to interview him, the man Jeff Graber told me that he came from a cryptocurrency group "ConstitutionDAO” (DAO stands for Decentralized Autonomous Organization), they used the “discord” app to text each other to spread the information as join forces. Within 72 hours, more than 7,600 people donated 41 million US dollars in virtual currency, Ethereum. People came to participate to donate money for the constitution auction because they believe the constitution should belong to the people. If they outbid the auction to receive the rare, first-edition copy of the U.S. Constitution at Sotheby’s, they will place it for the public to view freely. Let the constitution belong to the public, instead of a private hand.

This concept to gather the power of small people against the big capitalist is like the incident of Robinhood action with GameStop. The incident caused a sensation in the stock market not long ago ending with a huge penalty. Unfortunately, today’s crowdfunding of 41 million US dollars was lost to a private investor of 43 million US dollars (Billionaire outbid a group of crypto investors - Bloomberg). The constitutional battle ended for such a heroic effort but the priceless copy might eventually be locked into someone’s safety box.

Therefore, the trend of decentralization in the era of big data blockchain has shown its power.

By Lily Kostrzewa

Monday, March 13, 2017

#7 Floating Clouds: by Lily Kostrzewa and Wendy Chu 7.浮雲, 鋼琴演奏:朱萬馨, 水彩創作...



Wendy Chu and Lily Kostrzewa collaborate the piano and watercolor to make this video series, debut at Rhea Miller Recital Hall of Saginaw Valley State University on March 16, 2017. "Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.

譚盾鋼琴曲 - 八幅水彩画的回憶
鋼琴演奏: 朱萬馨
水彩創作: 李立婷
影片製作: 李立婷
Piano - Wendy Chu
Painting - Lily (Lihting Li) Kostrzewa
(Copyright by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

#4. Blue Nun: by Lily Kostrzewa and Wendy Chu 4. 藍尼, 鋼琴演奏:朱萬馨, 水彩創作:李立婷, ...



Wendy Chu and Lily Kostrzewa collaborate the piano and watercolor to make this video series, debut at Rhea Miller Recital Hall of Saginaw Valley State University on March 16, 2017. "Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.


譚盾鋼琴曲 - 八幅水彩画的回憶
鋼琴演奏: 朱萬馨
水彩創作: 李立婷
影片製作: 李立婷
Piano - Wendy Chu
Painting - Lily (Lihting Li) Kostrzewa
(Copyright by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

#8 Sunrain: by Lily Kostrzewa and Wendy Chu 8.太陽雨, 鋼琴演奏:朱萬馨, 水彩創作:李立婷, 譚...



Wendy Chu and Lily Kostrzewa collaborate the piano and watercolor to make this video series, debut at Rhea Miller Recital Hall of Saginaw Valley State University on March 16, 2017. "Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.

譚盾鋼琴曲 - 八幅水彩画的回憶
鋼琴演奏: 朱萬馨
水彩創作: 李立婷
影片製作: 李立婷
Piano - Wendy Chu
Painting - Lily (Lihting Li) Kostrzewa
(Copyright by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

Wednesday, March 8, 2017

#1 Missing Moom: by Lily Kostrzewa and Wendy Chu



Wendy Chu and Lily Kostrzewa collaborate the piano and watercolor to make this video series, debut at Rhea Miller Recital Hall of Saginaw Valley State University on March 16, 2017. "Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.

譚盾鋼琴曲 - 八幅水彩画的回憶
鋼琴演奏: 朱萬馨
水彩創作: 李立婷
影片製作: 李立婷
Piano - Wendy Chu
Painting - Lily (Lihting Li) Kostrzewa
(Copyright by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

Tuesday, March 7, 2017

#6 Ancient Burial: by Lily Kostrzewa and Wendy Chu



Wendy Chu and Lily Kostrzewa collaborate the piano and watercolor to make this video series, debut at Rhea Miller Recital Hall of Saginaw Valley State University on March 16, 2017. "Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.

譚盾鋼琴曲 - 八幅水彩画的回憶
鋼琴演奏: 朱萬馨
水彩創作: 李立婷
影片製作: 李立婷
Piano - Wendy Chu
Painting - Lily (Lihting Li) Kostrzewa
(Copyright by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

Monday, March 6, 2017

#2 Staccato Beans: by Lily Kostrzewa and Wendy Chu



Wendy Chu and Lily Kostrzewa collaborate the piano and watercolor to make this video series, debut at Rhea Miller Recital Hall of Saginaw Valley State University on March 16, 2017. "Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.

譚盾鋼琴曲 - 八幅水彩画的回憶
鋼琴演奏: 朱萬馨
水彩創作: 李立婷
影片製作: 李立婷
Piano - Wendy Chu
Painting - Lily (Lihting Li) Kostrzewa
(Copyright by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

#5 Red Wilderness: by Lily Kostrzewa and Wendy Chu



Piano-Watercolor debut at Rhea Miller Recital Hall, Performing Arts Center of Saginaw Valley State university on March 16 19:30 by Lily Kostrzewa and Wendy Chu.

"Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.

譚盾鋼琴曲 - 八幅水彩画的回憶
鋼琴演奏: 朱萬馨
水彩創作: 李立婷
影片製作: 李立婷
Piano - Wendy Chu
Painting - Lily (Lihting Li) Kostrzewa
(Copyright by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

Wednesday, March 1, 2017

Herdboy's Song: depict in art and music #3 by Lily and Wendy's collaboration





"Eight Memories in Watercolor" is a highly pictorial music composed by Tan Dun, inspired by the folk songs of Chinese Hunan regional culture and recollection of his childhood.

Wendy and Lily collaborate the piano and watercolor to make this video series, debut at Rhea Miller Recital Hall of Saginaw Valley State University on March 16, 2017. 
Piano - Wendy Chu 
Painting - Lily (Lihting Li) Kostrzewa
(Copy right by Wendy and Lily, any request or question please go to www.LilyKostrzewa.com contact us.)

Saturday, January 10, 2015

Searching for the artist who made this poster... 1968 at Iowa City



Two days ago when I cleaned up my rental house and found a extremely large poster (72" x 38") in the attic. On the back it was written Anti-Vietnam War poster, 1968, Iowa City. It looked like fresh out of floor model etching press printing machine 47 years ago, you can see clearly the reflected ink on the covered paper. The method looks like cardboard cutting etching, the method I have learned back to my printmaking class in college days.

However, the detail etching and intriguing graphics are too skillful to be consider as ordinary anti-war poster. The graphic and composition are quiet fascinating and representative; it symbolized with certain meanings that required an interpretation. The rental house used to belong to a History professor Dr. Charles J Ebel who passed away two years ago. He was enrolled in University of Iowa and received Ph.D. in Ancient History in 1970. So my assumption the poster was designed by an artist at University of Iowa in 1968 for the protest of the anti-war at home event.

I need expert to give me an idea about this poster. Who is the artist and any significant about the artist? I look through anti-war poster online but nothing is as big as this one. Is any museum or gallery collecting things like this? If only the walls could talk, I would like to know some history about this poster.

Wednesday, September 18, 2013

ArtPrize 2013 news from Lily Lihting Li Kostrzewa

L K at the BOB vote# 54597 - "Joy and sadness are all a part of our life
The 5th Annual ArtPrize is opening their doors on Wednesday September 18, 2013. According to the Grand Rapids Press, this year will have 1,812 artists from 47 countries. There are 45 US states represented, total of 1,524 works of art displayed on 169 venues and 19 days in exhibition from 9/18 to 10/6. There are 9 voting sites, such as Grand Rapids Art Museum, clearly marked on the ArtPrize map.

Mt. Pleasant artist Lily (Lihting Li) Kostrzewa set up her 16 foot painting at the B.O.B. (20 Monroe Ave. NW) basement on 9/15 Sunday afternoon. A team of helpers from Rockford (a few miles north of Grand Rapids) came to give her a hand. Pictured are her sister and brother in-laws Julie and Scott Staudacher, and their two children Nick and Lydia. It was a team effort of five of them. After detail measurement and hammering they hung the artwork in two triptychs on a 10 foot wall.
The title of artwork is “Joy and Sadness are all a part of our Life” talking about life is good and life is bad in both ways. One theme you will see, leaping youths with dancing tutus which are full of life, energy and innocence on vivid yellow, pink background colors. On the contrast, the other theme is full of sadness, falling and confusing on depression dark colors. Kostrzewa made the dark ones after Sandy Hook tragedy. The dancing girl in the paintings is her daughter Grace Kostrzewa who is her model for all the photographs. In the life of journey, she states we will never know what the next thing is coming to us; it could be good or bad. Chinese calligraphies on these paintings are about joy/blessing and sadness/memoriam.

Currently, Kostrzewa is also celebrating her 20th solo exhibition titled “In the Blink of an eye” at Central Michigan University Park Library (Baber Room) the show will continue thru October 28, 2013.
16 foot painting at the B.O.B. (20 Monroe Ave. NW) basement

Wednesday, November 21, 2012

Life: Childhood-Girlhood-Adulthood


Life:  Childhood, Girlhood, Adulthood
Cross-cultural art by Lily Kostrzewa



My doctor’s office told me it was time to have a hysterectomy.  When I left, I looked back on my life.  I then realized I have come to the age counting my white hairs.

I decided it was time to paint a painting about life. The picture of childhood –girlhood-adulthood came to my mind. There is a Chinese song I used to sing when I was a school girl: “When I was a child my heart was only for my mommy. One day, I grew up I found my heart was full of him. …”. I looked back at the innocent childhood; a girl’s life was occupied by dolls and tutu.  Then one day she became a teenager;  she started feeling attracted to boys and sex became such giggling topic among girls. Eventually she got married and had children. She was very busy with daily grind. Then one day her youth was gone and physical problem surfaced one by one. She realized it seems that overnight she has turned old.

I always admire Li Bai’s poem, (701 – 762 AD), also known as Li Bo was a major Chinese poet of the Tang dynasty poetry period, regarded as one of the greatest poets of the Tang Dynasty. Especially the one “Bring in the Wine” talked about life so well. I also want to use this poem to paint about life. I place the poem of Chinese calligraphy on three paintings (see translation below) and mix with abstract expressive colors to continue my unique East/West cross cultural style.  Childhood-girlhood-adulthood three painting series is 10 feet wide by 4 feet high.  

"Childhood 42" w x 48" h"





















"Girlhood 42" w x 48" h"





















"Adulthood 42" w x 48" h"























-----------------------------------------------------------

Bring in the Wine (Li Bai, 701-762 AD, China)       Ying Sun © 2008

Can’t you see the Yellow River coming from heaven,
Running to the sea with no return?
Can’t you see the mirror, high and bright,
Weeping over black hair at dawn, but white by night?
Enjoy life when there is prosperity.
Never tip a gold cup to the moon, empty.
Heaven has given me a gift and it’s my turn.
All my fortune is squandered, but it will return.
Let's have fun - a fest with veal and beef.
Empty three hundred drinks before we leave.
Master Cen, Pupil Danqiu,
Bring in the wine and I'll keep pouring for you.
And I'll sing you a song.
Please listen and hum along:
The life style of the rich is all fake.
I’d rather stay drunk, never awake.
All sages in history were solitary,
Except those drinkers who left their glory.
When Lord Chen entertained in Ping-Le Palace,
Pricey wine was poured just for joyfulness.
Why worry about spending money, my host?
Bring in more wine and I’ll drink the most.
Take my spotted stallion and fancy fur.
Ask the lad to trade for the wine I prefer.
Drink away the eternal sorrow we all suffer.
  

Half The Sky


Lily Lihting Li Kostrzewa
Solo Exhibition at MWHOF
“Half the Sky: Women’s Rights are Human Rights”
Opening Reception, Sunday, August 5th, 2:00-4:00 pm, 2012

The Michigan Women’s Historical Center and Hall of Fame is presenting a show by Mt. Pleasant artist Lily Lihting Li Kostrzewa. The show starts on Sunday August 5th with a reception from 2-4, and continues through October 27th, 2012.

The show is titled “Half the Sky: Women’s Rights are Human Rights”, and deals with issues of the powerful dynamic between men and women. Lily, a Taiwan-born artist, who now lives and paints in Michigan, incorporates elements of Chinese philosophy and women’s figures into her paintings along with contrasting abstract backgrounds. Her goal is to cross-culturally exam women’s rights issues. There are around fifteen paintings on paper and wood panel.

"Women’s Rights are Human Rights"
STYLE
Here I use Chinese ink to mix acrylic paints on rice paper to create layers of shadows, brick walls and ancient writing on the walls. In this way I create a time zone from ancient history to modern time.  With this style, I am showing art in a cross-cultural way.
DESCRIPTION
The series of paintings focus on the western feminist view about the male and female relationship.  The female figures are in white cartoonish outlines to create contrast with male shadows. The male and female roles with power struggles continue to waken the respect through different cultures. I would like to introduce the cultural harmony all the way to acceptance of diversities. You’ll see a peaceful resolution to power struggles by using respect.
In my paintings I also depict the dynamic of man and woman in a marriage. With male chauvinism still affecting this society, some may gain power with sweetness, others with force. I try to show the male and female roles with power struggles and continue to waken the respect through male/female with East/West different cultures. However, in the end it is still the power struggle of domination.

In the final picture I come out with the words “When I hear people talk about the equality of men and women, I draw a ? on the wall." Here I propose to the community it doesn’t matter if you are man or woman. People need to be open-minded and discuss how our society has progressed since women's suffrage (right to vote) movement in the late 19th and 20th century.

"Half the Sky"
DESCRIPTION
The three panels of painting - Half the Sky, are depicting about the Chinese Goddess – Nu Kua. She is one of the oldest and most powerful of the female deities from Chinese myth. She is depicted as a beautiful creature, half-woman, half-dragon…who wanders the earth. There was a great battle, the monster Kung-Kung (water God) wreaked a lot of havoc, flattening mountains, tilting the earth and tearing a hole in the sky. Fires raged out of control, the waters overran the world, and the cardinal points became misaligned. Nu Kua restored order with five colored stones, fixed the directions on the legs of tortoise, controlled the water and put out the fires, and repaired the sky.
I used this story to represent women can hold the half the sky and have the restoral power.

More pictures as below in the show:

Reception pictures as below:










News Media Release
Smithsonian Magazine Mt. Pleasant artist Lily Lihting Li Kostrzewa cross-culturally examines the power dynamic between men and women.







Saturday, March 10, 2012

China - a view from the clouds

Exhibition: China - a view from the clouds
by Lily Lihting Li Kostrzewa
March 15 - April 15, 2012, Reception: 3/27, 4-6 pm
M - F, 8 am - 5 pm
Diversity Center, UC 108, Central Michigan University






















Title: Mt. Ali Train Station
Dimensions: 45” h x 26”w
Medium: Acrylic and ink on panel




















Title: Precious stones embraced heaven and earth
Dimensions: 31” h x 37”w
Medium: Ink and watercolor on paper
























Title: River cascading through mountains and clouds
Dimensions: 37” h x 28”w
Medium: Ink and watercolor on paper














Title: Above the clouds
Dimensions: 17” h x 21”w
Medium: Acrylic and ink on paper














Title: Down cliffs and boulders
Dimensions: 18"h x 27"w
Medium: Watercolor and ink on paper























Title: Beyond the great mountains
Dimensions: 30” h x 16”w
Medium: Watercolor and ink on paper
















Title: In its mist rose
Dimensions: 14” h x 18”w
Medium: Ink on paper













Title: Bicycles on campus
Dimensions: 13” h x 18”w
Medium: Ink on paper

















Title: From country to city river journey through
Dimensions: 26"h x 28"w
Medium: Ink on paper

















Title: Sail through mountains
Dimensions: 12"h x 18"w
Medium: Ink on paper























Title: Far to the east
Dimensions: 24"h x 12"w
Medium: Ink on paper